Analysis of Chapter 31 in Huckleberry Fin by Mark Twain Essay

Huckleberry Finn Chapter 31 Analysis In the story of Huckleberry Finn Huck is facing a constant battle within himself between following the laws of the land and doing what he knows is morally correct. There appears to be an underlying question of whether or not a person is born with morals and good character or if this is a learned behavior raised in the story. The circumstances of Huck’s upbringing were not ones that were conducive to him being a person with a good moral compass, in actually he should have been just the opposite, but he decided to go against the grain and do what he felt was morally correct which was befriend a runaway slave and try to set him free. Now we can questions his motives for wanting to help Jim, i.e., did he†¦show more content†¦He is realizing the deceitful plans of the two men and wants to be away from them. This shows Huck’s growth and development considering that in previous chapters he enjoyed games, trickery and deceit especially in the earlier part of the bo ok when he was part of a gang. When the King goes to feel out one of the towns to see if the people of that particular town has heard of the fraud of a show that he and the Duke had been putting on Huck is planning his and Jim’s escape. Huck at this point knows that the King is actually going into the town to look for more people’s houses to rob. The Duke is visibly agitated for some reason and Huck senses it. When Huck and the Duke go into the town to look for the King he is obviously drunk. Huck runs as soon as he sees an opportunity to lose the King and the Duke. Huck thinks he and Jim are finally free only to find that Jim is gone. When Huck realizes Jim is gone and he cannot find him he actually cries. We see the emotional attachment and bond that Jim has formed with Jim. When Huck comes across a young boy who tells him of how a runaway slave was caught and he learns that he was caught because the Duke and the King tricked them. Following this encounter Huck is upset. The first reason he seems upset is because he was turned in by the hands of people he thought he was helping but the most ironic reason for his anger

Accounting Essay - 1246 Words

Accounting Introduction The financial information is a very important matter in a company success. Allow them to see if they have been successful in the past, in the present and help them to predict a future performance of you company. The form, the use and the people involve with the financial and accounting information in a company is going to be developed in this report. Accounting Knowing the status of your company in every single area will allow you to improve your performance and developed strategies with a solid background for a successful operation. In the financial department of every company different kind of data and report to provide the information needed is used. Without that information financial manager,†¦show more content†¦You also can find that several transactions depend on accounting methods, judgments and estimates, so similar events may result in differing measurements of income at the end of a time period The balance sheet is a summary of a person or organizations assets, liabilities and Ownership equity on a specific date, such as the end of its financial year. A balance sheet is often described as a snapshot of a companys financial condition and indicates what the firms owns and how theses assets are financed in the form of liabilities or ownership interest (Williams, Jan R 2008). Intent to answer how much did the firm make or lose and what is a measure of its worth? (Block, Hirt 2005). A balance sheet is often presented alongside one for a different point in time (typically the previous year) for comparison. One of the limitations of the balance sheet is most of the values are stated on an original cost basis, and that could be a problem when plant, equipment and inventory may now be worth two or three times the original cost or may require many times the original cost for replacement. Statement of Cash Flows is the amount of cash being received and spent by a business during a defined period of time, sometimes tied to a specific project. The Cash Flow is often used to know the status orShow MoreRelatedAccounting1024 Words   |  5 PagesQuestion 1:   * Proficient-level:   * There are several important functions performed in an organization, among which accounting is one of them. Define the accounting function and discuss how it differs from double-entry bookkeeping. 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The Lust Lizard of Melancholy Cove Chapter 30~31 Free Essays

string(32) " shall head into the back room\." Thirty Theo â€Å"Listen,† Theo said, cocking his ear toward the cave mouth. â€Å"Vehicles. The SWAT team is here. We will write a custom essay sample on The Lust Lizard of Melancholy Cove Chapter 30~31 or any similar topic only for you Order Now † Molly glanced to the back of the cave. From the light of the colors Steve was flashing she could see that the pilgrims had surrounded the Sea Beast and were stroking his scales. She turned back to Theo. â€Å"You’ve got to stop the helicopters. Call them and stop it.† â€Å"Molly, it’s not the news helicopters that will hurt him, or us. It’s those guys who just pulled up.† Theo peeked out the mouth of the cave and saw two four-wheel-drives parking down on the marine terrace, about a hun-dred yards from the cave mouth. Of course, he thought, they still think they need cover. Molly brandished her broadsword, holding it only inches from Theo’s stomach. â€Å"If he’s hurt, I’ll never forgive you, Theo Crowe. I’ll track you down to the ends of the earth and kill you like the radioactive scum that you are.† â€Å"That Kendra or Molly talking?† â€Å"I mean it,† she screamed, almost hysterical now. Steve roared from the back of the cave. â€Å"Don’t go nuts on me, Molly. I’m doing my best. But the only thing your pal seems likely to do is eat me. He doesn’t seemed real motivated by anything else.† Molly slumped to her knees and hung her head as if someone had sucked the energy out of her through a valve in her boot. Theo fought the urge to comfort her, afraid that if he even touched her shoulder the Sea Beast might attack him. Then it hit him. He flipped open his cell phone and dialed the Head of the Slug. Mavis Mavis Sand had spent a lifetime making mistakes and learning from them, and that perspective made her feel as if she knew what was good for people better than they knew themselves. Consequently, Mavis was a meddler. Most of the time she was content to use information as her tool of choice and rumor as her means of delivery. What someone knew – and when they knew it – controlled what they did. (The Spider, pulling digital strings from his basement web, had exactly the same philosophy.) Today she’d had a heap of problems dumped on her, none of them directly hers, and she had been pondering them all morning without much luck in coming up with a way to manipulate the information to solve them. Then the call came from Theo, and it all clicked: Theo was right, they could use the monster’s instincts to get them out of the cave, but if she played the mix right, she could solve a couple of other problems as well. She put down the phone and Catfish said, â€Å"Who that?† â€Å"It was Theo.† â€Å"That ol’ dragon ain’t et him yet? Boy must be livin a charmed life.† Mavis leaned over the bar, close to Catfish, took his hand in hers, and began squeezing. â€Å"Sweetie, put on your friendly persuasion hat. I need you to run down to the pharmacy and pick up something for me.† â€Å"Yes, ma’am,† Catfish said, wincing as the bones in his fingers compressed under her grip. When the Bluesman was gone, Mavis made a quick phone call, then went to the back room and dug through boxes and filling cabinets until she came up with what she was looking for: a small black box attached to a long cord with a cigarette lighter plug on the end. â€Å"Don’t worry, Theo,† she said to herself. â€Å"I put my life in the hands of machinery a long time ago, and I’m doing just fine.† She giggled and it came out sounding like the starter cranking on a fuel dry Ford. Catfish A Bluesman hates to be told what to do. Authority rankles him, inspires his rebellion, and plays to his need to self-destruct. A Bluesman doesn’t take to having a boss unless he’s on a chain gang (for the chain gang boss ranks below only a mean old woman and a sweet young thing in the hier-archy of the Blues Muse, followed closely by bad liquor, a dead dog, and the Man). Catfish had a boss who was a mean old woman: a distinct and disconcerting turn of the Blues screw that might have driven a lesser Bluesman to shoot hisself, get shot, get hold of some bad liquor, or bust up his guitar and take a job down to the mill. But Catfish hadn’t taken nigh unto eighty trips around that cruel, cruel sun without gaining some per-spective, so he would go to the pharmacy as he was told. He would talk to the fish-fucking white boy with the combed-over hair that waved in the air like the sprung lid on a bean can. And when he was done, he would pick up his pay from the mean old w oman who was holding it hostage and he would get his wrinkly Black ass out of this town and go nurse his heartbreak on the moving trap that was, is, and always shall be the road. So Catfish strolled a rolling Delta moonwalk of a stroll (redolent of sas-safras and jive) into Pine Cove Drug and Gift, and the four blue-haired chicken women behind the counter nearly tumbled over each other trying to get to the back room. Imagine it: a person of the Dark persuasion in their midst. What if he should ask for a vial of Afro-Sheen or some other ethnic-ally oriented product with which they were totally unfamiliar? Why, the smoke alarms would melt, screaming like dying witches, when their col-lective minds steamed to a stop. Do we look like thrill-seekers? Wasn’t it enough that we had to put up that sign reading NO HABLA ESPANOL and acknowledge the existence of thirty percent of the population, even in the negative? No, we shall err on the side of safety, thank you, and in lieu of sand in which to bury our heads, we shall head into the back room. You read "The Lust Lizard of Melancholy Cove Chapter 30~31" in category "Essay examples" Winston Krauss, who was counting fake Zolofts behind his glass wall, looked up and saw Catfish coming down the aisle toward the counter and immediately regretted that he hadn’t installed bulletproof glass. Still, Winston was a man of the world, and you don’t indulge the fantasy of molesting dolphins without becoming familiar with the ways of people of color, for that is who dolphins prefer to hang out with, when they aren’t hanging out with the Cousteaus, or so it appeared on the Discovery Channel. He stepped out of his booth and met Catfish as he reached the counter. â€Å"Good day, me brother-mon, ye,† Winston said in his best island dialect. â€Å"What can I be gettin for ye?† And there was that welcoming smile, only a dreadlock and a white sand beach short of a travel poster. Catfish squinted, removed his fedora, ran a hand over his shining scalp, stepped back, turned his head to the side and studied the pharmacist for a moment, then said, â€Å"I will slap the shit out of you. You know that?† â€Å"Sorry,† Winston said, coughing somewhat, as if trying to dislodge the errant Jamaican from his throat. â€Å"What can I do for you, sir?† â€Å"Mavis down to the Slug sent me up to ax you somethin.† â€Å"I’m familiar with her medical records,† Winston said, â€Å"You can have her call me if she has a question.† â€Å"Yeah, she don’t want to call you. She want you to come down to see her.† Winston adjusted his bolo tie. â€Å"I’m sorry, but you’ll have to have her call me. I can’t leave the store.† Catfish nodded. â€Å"That what she thought you’d say. She say to ax you if she can have a big jar of them sugar pills you selling instead medicine.† Winston glanced at the back room where his staff was huddled like Anne Frank and family, peering out through the crack in the door. â€Å"Tell her I’ll be right over,† Winston said. â€Å"She said to wait and come with you.† Winston was visibly sweating now; oily beads rose on his scalp. â€Å"Let me tell the staff where I’ll be.† â€Å"Hurry up, Flipper. I ain’t got all day,† Catfish said. Winston Krauss shuddered, hitched up his double knits, and waddled around the counter. â€Å"Ladies, I’ll be back in few minutes,† he called over his shoulder. Catfish leaned over the counter to where he could see the row of eyes peering out of the crack and said, â€Å"I be back in a few minutes my own self, ladies. I needs some medicine what can help me with this huge black dick I have to carry around. The weight of it like to break my back.† There was a collective intake of breath so abrupt that the drop in pressure sprung the barometer on the wall and made Catfish’s ears pop. Winston Krauss turned and scowled at Catfish. â€Å"Was that really necessary?† â€Å"Man’s got to look after his reputation,† Catfish said. The Sheriff Burton had them cover him while he moved down through the rocks and across the marine terrace to the Blazers. He found Sheridan crouched behind the fender, his M-16 trained on the cave entrance. â€Å"Rough morning, Sheriff?† Sheridan said, showing a hint of a smile at Burton’s disheveled suit. Burton looked around at the other team members, who were all staring through rifle scopes at the cave entrance. â€Å"So we only have five?† â€Å"Morales is coaching Pee-Wee Football today. The others are on regular duty. We couldn’t pull them off.† Burton scowled. â€Å"As far as I know, they only have the one weapon, but it’s a fully automatic AK. I want two men on either side of the cave mouth, one down in that crevice where I was pinned down can deliver the gas, followed by concussion grenades. I’ll stay here with a sniper rifle to take out anyone who gets past the entry crew. Shoot anything that moves. Let’s go, five minutes. On my mark.† â€Å"No gas,† Sheridan said. â€Å"What?† â€Å"No gas and no concussion. You wanted us here without checking in. That stuff is kept in the locker at County Justice. We just have the body armor and our own personal weapons.† Burton looked around at the other men again. â€Å"You guys all have your own personal M-16s, but no grenades?† â€Å"Yes, sir.† â€Å"So I have a standoff? I had a standoff before, Sheridan. A standoff doesn’t do me any good. Come with me.† He pushed a fresh clip into his 9 mm. and turned to the others. â€Å"Cover us.† Burton led the SWAT commander to a spot in the rocks just below the cave mouth. â€Å"Crowe?† Burton called. â€Å"You’ve had enough time to consider my offer!† â€Å"Offer?† Sheridan asked. Burton shushed him. â€Å"I haven’t decided yet!† Theo shouted. â€Å"We’ve got thirty people in here to discuss it with and they’re not being cooperative.† Sheridan looked at Burton. â€Å"Thirty people? We can’t shoot thirty people. I’m not shooting any thirty people.† â€Å"Five minutes, Crowe,† Burton said. â€Å"Then you have no more options.† â€Å"What’s the offer?† Sheridan whispered to the sheriff. â€Å"Don’t worry about it. I’m just trying to get the subject separated from the hostages so we can take him out.† â€Å"Then we’d better have a description of the suspect, don’t you think?† â€Å"He’s the one in handcuffs,† Burton said. â€Å"Well, aren’t you the fucking hero?† Sheridan shot back. Skinner Skinner watched from the front seat of the Mercedes as the Food Guy was loaded into the back of the Suburban with the cage in it. The Bad Guys hadn’t even left the windows cracked. How would the Food Guy breathe? He wouldn’t be able to sit in the front seat and put his head out the window either. Skinner was sad for the Food Guy. He crawled in the backseat of the Mercedes and lay down to nap away his anxiety. The Head of the Slug The first thing Catfish saw when he came through the doors of the Head of the Slug was Estelle standing at the bar, and he could feel the crust peeling off his heart like old paint. Her hair was down. Brushed out, it hung to her waist. She was wearing a pair of pink overalls that had been splattered with paint over a man’s white T-shirt – his T-shirt, he realized. She looked to him like what he always thought home was supposed to look like, but as a Bluesman, he was bound by tradition to be cool. â€Å"Hey, girl, what you doin’ here?† â€Å"I called her,† Mavis said. â€Å"This is your driver.† â€Å"What I need a driver for?† â€Å"I’ll tell you.† Estelle took his hand and led him to a booth in the corner. Winston Krauss came through the door a second later and Mavis waved him over to the bar. â€Å"Son, I’m about to make you the happiest man in the whole world.† â€Å"You are? Why?† â€Å"Because I like to see people get what they want. And I have what you want.† â€Å"You do?† Mavis stepped up to the bar and in low, conspiratorial tones, began telling Winston Krauss the most titillating, outrageously erotic tale that she had ever told, trying the whole time to remember that the man she was talking to wanted to have sex with marine animals. Over in the corner booth, Catfish’s modicum of cool had melted. Estelle was smiling, even as tears welled up in her eyes. â€Å"I wouldn’t ask you to do it if I thought it would put you in danger. Really.† â€Å"I know that,† Catfish said, a gentleness in his voice that he usually reserved for kittens and traffic cops. â€Å"It just that I been runnin from this my whole life.† â€Å"I don’t think so,† Estelle said. â€Å"I think you’ve been running to this.† Catfish grinned. â€Å"You gonna take them old Blues off me for good, ain’t you?† â€Å"You know it.† â€Å"Then let’s go.† Catfish stood up and turned to where Mavis and Winston stood. â€Å"We ready? Y’all ready?† He noticed that the front of Winston’s trousers had become overly tight. â€Å"Yeah, you ready. You sick, but you ready.† Mavis nodded, a slight mechanical ratcheting noise coming from her neck, â€Å"Take the second turn out, not the first,† Mavis said to Estelle. â€Å"From there it hugs the coast, so there’s no hills.† â€Å"I have to go get my mask and fins,† wailed Winston. Thirty-one Molly â€Å"Has it been five minutes yet?† Molly was sitting cross-legged, her sword held across her knees. Theo jumped as if he’d been poked with an ice pick, then checked his watch. He crouched by the cave mouth, listening for the sound of either salvation or death. â€Å"About a minute left. Where the hell are they? Molly, maybe you should find some cover.† â€Å"What cover?† She looked around the cave. It was an open chamber; the only cover would be the darkness in the back of the chamber. â€Å"Get behind Steve.† â€Å"No,† Molly said. â€Å"I won’t do that.† She heard a voice come from the back of her mind. â€Å"Get to cover, you daffy broad. What, do you have a death wish?† â€Å"I have abandonment issues. I’m not going to turn around and abandon someone else,† Molly said. â€Å"What?† Theo said. â€Å"I wasn’t talking to you.† â€Å"Fine, die. What do I care?† said the narrator. â€Å"Bastard,† Molly said. â€Å"What?† said Theo. â€Å"Not you!† â€Å"Molly, how did you get those guys to come out and drag me into the cave before?† â€Å"I just told them to.† â€Å"Well, take their clothes back to them and tell them to get dressed.† â€Å"Why?† â€Å"Just do it. And tell them to hang on to Steve’s sides and not let go, no matter what he does.† â€Å"Now who’s nuts?† â€Å"Molly, please, I’m trying to save him.† The Sheriff Burton checked his watch. â€Å"That’s it. Get into position. We’re going in.† Sergeant Sheridan wasn’t so sure. â€Å"They have thirty hostages and we don’t have any recon of their positions and we don’t have a full team. You want to take this guy out with thirty witnesses?† â€Å"Goddamn it, Sheridan, get your men in position. We go on my signal.† â€Å"Sheriff Burton.† Theo’s voice from the cave. â€Å"What?† â€Å"I’ll take your offer,† Theo said. â€Å"Give me five more minutes and I’ll come out. We can all leave together. The others will come out after you’re gone.† â€Å"You just want him anyway, right?† Sheridan said. â€Å"He’s the only one that can hurt the operation.† Burton turned it over in his mind. He’d been determined to take out the constable and the woman, but now he had to rethink things. If he could get Crowe away from the others, he could dispose of him with no witnesses. Burton’s cell phone rang. He flipped it open. â€Å"Burton,† he said. â€Å"You shouldn’t have made disparaging comments about my weight, Sheriff,† the Spider said. â€Å"Nailsworth, you piece of sh – † The line went dead. Suddenly the sound of a wailing Blues guitar came screaming over the marine terrace. Burton and the SWAT team turned to see an old white station wagon driving along the edge of the terrace, next to where it dropped to the beach. An inhuman roar rose up out of the cave, and when Burton looked back to the cave all he saw was a huge reptilian face coming at him. Winston Krauss Winston sat in the back of the station wagon, steadying the Marshall amplifier that was screaming out the notes from Catfish’s Stratocaster. The amp was plugged into Mavis’s black box and a cord ran over the seats into the cigarette lighter, next to where Catfish was playing. After the first few notes, Winston’s hearing had shut down due to temporary deafness, but he didn’t care. He could hardly believe his luck. Mavis had promised him the biggest sexual thrill of his life, and he had doubted her. But now he saw it. It was the most gorgeous creature he’d ever seen. Steve The feelings of self-pity, jealousy, and heartbreak were new to him, but the response that welled up in him when he heard the sound of his enemy was more deeply imprinted on his lizard brain and it displaced all the newer feelings with rage and the imperative to attack. He stormed out of the cave with pilgrims hanging on his back by the ridge of armored plates that ran down his spine. Two layers of protective covering slid over his eyes, shortening his vision, but it was the sound that guided him anyway, the sound that carried the strongest association with the enemy. He flashed bright crimson and yellow as he charged over the rocks, kicking aside the vehicles and shedding pilgrims as he made his way to his enemy at the shore. Theo Molly stood in the cave entrance, screaming for Steve to stop. Theo grabbed her around the waist and pulled her away just as the Sea Beast, dangling pilgrims, charged past them. She elbowed Theo in the forehead, stunning him for a second, and she made for the cave entrance. Theo caught her outside on the rocks and held her. â€Å"No!† Theo wrapped his arms around her, pinning her arms to her side, and lifted her off the ground, then held her kicking as he braced for gunfire. But none came. Burton was climbing to his feet just below them, focused on the Sea Beast as it passed. â€Å"Shoot that thing! Shoot it! Shoot it!† The SWAT commander had rolled out of the way and come up with his weapon ready, but with people hanging all over the beast, he didn’t know where to shoot, so instead let his weapon fall to his side as he stared in amazement. Burton drew a pistol and began running after the Sea Beast. Below, two of the SWAT team had already broken into a run from behind the Blazers just as the Sea Beast bowled them over. The other two were pinned underneath one of the crushed vehicles. As they fell, each pil grim jumped to his feet and ran after the Sea Beast, who was making a beeline across the grassy terrace toward the white station wagon. Theo watched as the car stopped, Blues slide notes still screaming out of the back, and Estelle Boyet crawled out of the driver’s seat and ran around to the back. The guitar playing stopped for a second as the passenger side opened, and out stepped Catfish Jefferson, holding a Fender Stratocaster. â€Å"Let me go!† Molly screamed. â€Å"I’ve got to save him! I’ve got to save him!† Theo yanked her back toward the cave. When he was able to look again, someone he didn’t immediately recognize had crawled out of the station wagon, and Catfish handed him the guitar. Sheriff Burton was running after the Sea Beast, waving his weapon around, trying to get an angle to shoot without hitting one of the pilgrims. He stopped, dropped to one knee, steadied his aim, and fired. The Sea Beast roared and whipped around, throwing the last of the pilgrims into a tumble in the grass. Molly whipped her head back into Theo’s chin at the same time she drove a heel into his knee. Theo let go of her and she rushed over the rocks and down toward the monster. Catfish Estelle had brought the car right to the edge of the drop-off to the rocky beach. Catfish looked at the surf beating on the rocks below, then at his guitar cords coiled in the front seat, then at the rocks again. They just might be long enough. But the dragon was going to get to them before he could find out. â€Å"Hurry!† Estelle shouted. Catfish stood mesmerized by the charging monster, not a hundred yards away. â€Å"Go,† he said weakly, â€Å"get yourself out of here.† â€Å"No!† said Winston Krauss. â€Å"You promised.† There was a gunshot and the Sea Beast whipped around in his tracks, bringing Catfish to his senses. â€Å"Let’s go,† he said to Winston. Then he looked at Estelle over the top of the car and winked. â€Å"You go on. This ain’t your time.† Catfish played a few notes on the Stratocaster and then ambled after Winston to the surf. The pharmacist ran into the water up to his knees, then turned around. Catfish was having trouble climbing over the rocks to the water while keeping the guitar cord from catching. â€Å"That’s far enough,† Catfish said. He walked into the surf and stood next to Winston, keeping the guitar high to keep any spray off of it. â€Å"Give it,† Winston demanded. â€Å"You ain’t got a lick a sense, do you?† â€Å"Give it,† Winston repeated. Catfish played four bars of â€Å"Green Onions† on the Strat, the notes still blaring out of the amp in the station wagon, then draped the strap around Winston’s neck and handed him a guitar pick. â€Å"Have fun,† Catfish said. â€Å"Oh, I will,† Winston said, a lascivious grin crossing his face. â€Å"You know I will.† â€Å"Play!† Catfish said as he turned and ran up the beach. He saw Estelle already making her way away down the shore away from the commotion. Behind him, the sour, rattling notes began to emanate from the amp in the station wagon as gunshots filled the air. Molly The sheriff fired three more times as he backed away from the Sea Beast, missing not only the monster but the entire North American continent. Molly threw herself sideways from a full run into the back of Burton’s knees and cut his legs out from under him. She came up in a crouch, putting herself between Burton and the Sea Beast. The sheriff thought he heard the song â€Å"Green Onions† and shook his head to clear a hallucination. The Sea Beast roared again and the sheriff vaulted into a crouch, ready to fire, but instead of a sea monster in front of him, he saw a woman in a leather bikini. He looked over his shoulder and watched the Sea Beast snap up the white station wagon in its jaws and toss it aside. The guitar sounds stopped and the Sea Beast slid over the bluff to the beach. Seeing that the danger was gone, he trained his sights on the woman. People were streaming by him on either side after the monster, wailing like a crowd of banshees. Molly looked over her shoulder and saw Steve going into the water, then turned back to Burton. â€Å"Go ahead, you prick. I don’t care.† â€Å"You got it,† Burton said. Winston Krauss He was just beating on the guitar strings now, but it didn’t matter. The amplifier wasn’t working anymore and this beautiful creature was coming to him. Winston was so turned on he thought he’d explode. She was coming to him, his dream lover, and he yanked the guitar from around his neck, ready to receive her. â€Å"Oh, come on, baby. Come to papa,† he said. The Sea Beast charged into the water, throwing spray fifty feet in the air, then snapped his jaws over Winston, severing the pharmacist’s body into two sleazy pieces. The Sea Beast swallowed Winston’s legs and roared, then snapped up the remaining piece and dove under the sea. The Sheriff â€Å"I don’t think so, Sheriff,† Sheridan said. Burton looked over his shoulder without taking the gun off Molly. Sheridan had his M-16 trained on the sheriff’s back. â€Å"Don’t fuck with me, Sheridan. You’re in this with me.† â€Å"I’m not in this. Lower your weapon, sir.† Burton lowered the pistol and turned toward Sheridan. Molly started to leap forward and the SWAT commander pointed the M-16 at her. â€Å"Right there,† he said. She stopped. The pilgrims were all standing at the shore now, wailing as they looked out. Molly gestured in that direction and Sheridan nodded. She ran toward the shoreline. â€Å"What now?† Burton asked. â€Å"I don’t know,† said Sheridan, â€Å"but no one has been shot here, and I have a feeling that there’s going to be a lot of attention around this event, so no one is going to get shot.† â€Å"You wimp.† â€Å"Whatever,† Sheridan said. â€Å"Hey, Burton!† Theo Crowe was running down the hill toward them. â€Å"You hear that?† When they looked up, Theo ducked behind one of the wrecked Blazers and pointed toward the southern sky. â€Å"Film at eleven.† Burton could hear them now: helicopters. He looked to the south and saw the two dots coming over the horizon. Two of the SWAT team members were topping the next hill. They had started running when the monster first came out of the cave. The other two were still pinned under one of the overturned Blazers. He turned back to Sheridan. The big cop was watching the approaching helicopters. â€Å"Game over,† Sheridan said. â€Å"Guess it’s time to start thinking about my deal with the D.A.† Burton shot him in the face, then broke for the far side of the rocks to his Eldorado before the others had time to figure out what had happened. Theo Theo came up behind Molly and touched her lightly on the shoulder. When she turned, he could see tears streaming down her cheeks. Then she re-turned to staring out to sea with the others. She said, â€Å"All I ever wanted is to feel special. To feel like something set me apart.† Theo put his arm around her. â€Å"Everyone wants that.† â€Å"But I had it, Theo. More by having Steve in my life than when I was making movies. These people felt it, but not like me.† The two helicopters were coming in close now and Theo had to speak right into her ear to be heard over the thumping blades. â€Å"No one’s like you.† There was a stirring in the water just past the surf line, and something was rising in the kelp bed. Theo could see the purple gill trees standing out on the Sea Beast’s neck. He was heading toward shore. Theo tried to pull Molly closer, but she broke loose from him, jumped off the bluff, and ran into the surf, scooping up two baseball-sized rocks as she went. Theo went after her and was halfway across the beach when she turned and looked at him with eyes filled with such pleading and desperation that it stopped him in his tracks. The helicopters were hovering only a hundred feet over the beach now. The wash from the blades kicked up sand in the faces of the onlookers. As the Sea Beast approached shore, only his eyes and gills above the water, Molly threw one of the stones. â€Å"No, go away! Go!† The second stone hit the Sea Beast’s eye, and he stopped. â€Å"Don’t come back!† Molly screamed. Slowly the Sea Beast sank below the surface. The Sheriff The speedometer on the Eldorado was approaching sixty when Burton topped the last hill before the cattle guard. He had to get to the airport and use the open ticket in his briefcase to join his money in the Caymans before anyone could figure out where he had gone. He’d planned for this all along, knowing he might have to make a run for it at some point, but what he hadn’t planned was that there would be two Suburbans and a Mercedes parked just over the top of the hill. Before he could stop himself, he hit the brakes and wrenched the wheel to the left. The tires dug into the pasture and sent the Eldorado up on two wheels, then over. There was none of the slowing of time or compression of events that often happens in accidents. He saw light and dark, felt his body being beaten around the Caddy, and then the crash of smashing metal and breaking glass. Then there was a pause. He lay on the ceiling of the overturned Eldorado, peppered with pieces of safety glass, trying to feel if any of his limbs were broken. He seemed okay, he could feel his feet, and it didn’t hurt when he breathed. But he smelled gas. It was enough to remind him to move. He grabbed the briefcase with his escape kit and slithered out the broken back window to find the Eldorado half-perched, half-smashed over the front of a white Suburban. He climbed to his feet and ran to the truck. It was locked. Sheridan, you prick, you would lock your truck, he thought. He didn’t notice the people handcuffed inside the K-9 cage in the back. The Mercedes was his last chance. He ran around it and yanked opened the driver’s side door. The keys were in the ignition. He climbed in and took a deep breath. He had to calm down now. No more mistakes, he told himself. He started the Mercedes and was turning to back it down the hill when the dog hit him. How to cite The Lust Lizard of Melancholy Cove Chapter 30~31, Essay examples

Film review for empire Magazine Essay Example For Students

Film review for empire Magazine Essay Film Review for Empire Magazine for The Italian Job (2003) In a Nutshell: A re -working of Peter Collinsons classic action -packed film The Italian Job. But can the remake really top the original? This film still has the excitement of the last, and the thrilling adventure really kicks off when $35,000,000 worth of gold bars are stolen by a group of thieves in Venice. It all goes to plan, but of course there is a twist in the story when a member of the group betrays his friends and runs of with the lot. The leader of the group is shot by the crook, and the rest of the gang set out to seek revenge and to steal back the fortune. The Full Review: This remake of the 1969 Italian Job was brought out just as the new mini coopers were reissued, so not only was the film a re-release of a popular film, but it also advertised the new minis. The plot of this film was obviously well thought out and includes lots of unexpected twists that are guaranteed to keep you on the edge of your seat. The script has also been very well thought out; there are a lot of links towards the end of the film to things that have been said near the beginning -this helps things to fall into place. There are also a lot of little jokes throughout the film which makes it that much more enjoyable. The storyline is quite clever in the way that you never quite know what is going to happen next, and I think this is one of the Italian jobs best qualities. The Italian Job 2003 was released with some other major films, so maybe it would have done better if it was released a little later as more of the focus would have been on this film. However the film was still a success; it has a little bit of something for everyone -an adventure, action, crime and thriller, all in one! The film was quite popular at the cinema and I think that most people would have been attracted to going to see it due to the success of the first. This film was very expensive to make; 32 minis were used, 3 of which were specially built electric cars, Hollywood Boulevard and Highland were closed for 7 days and the Metro tunnel set was so big it wouldnt fit in any sound stage -it had to be built in the hangar used for the space shuttle. This was all to help with the films special effects. I think that the special effects were definitely worth it, as it makes he film that much more realistic. I think that the casting was well chosen in this film. Edward Norton (who plays Steve) plays the bad guy well and looks the part, and Mark Wahlberg (who plays Charlie) makes a great gang leader and main character. All of the characters interact well, and you can see throughout the film how Stella and Charlies friendship and trust grows and they even end up getting married. Each of the main characters in the film have their own, different personality and assets to their gang, e. g. Lyle is the computer expert, Stella is the safe lock -picker, and this makes them all together a great team. In my opinion, the most successful element of the film is the way that the film grasps your attention, and makes you feel sympathy, scared and happy for the characters during the film. However, I think that there is still something in the first film that the second lacksmaybe the second is more predictable for the people who have already seen the first and know the rough plot. Any Good? All in all, this film is definitely worth seeing and has a good storyline that you can really follow, without getting bored. I found that this film made me laugh, scared and kept me on the edge of my seat. Thats what to me makes an enjoyable film. I would rate this film 7/10 as although I enjoyed it and I would watch it twice, I still think that it does not beat the first.

Education should be a right not a privilege

Introduction Education should be a right not a privilege. This argument stems from a basic understanding of a right. If something is a right, then its removal should cause negative consequences. However, if people treat it as a privilege, then its negation should cause neutral repercussions. The removal of education can cause severe consequences, so this illustrates that education ought to be a right.Advertising We will write a custom assessment sample on Education should be a right not a privilege specifically for you for only $16.05 $11/page Learn More Arguments The United Nations recognizes education as a basic right as outlined in its charter. It argues that every child is entitled to free basic or fundamental education in Article 26. Many believe that this will contribute towards the betterment of society. Education is required to foster societal development; if it is made into a privilege, then societies will not prosper. Such an approach will unde rmine economic, social and political development in the nation. Education is an avenue for teaching young people about the importance of discipline, respect for authority and rules. These things can be taught easily when education is a right. However, if it is a privilege, then the prerogative will be on parents and guardians, yet some of them may not do this very well. Education also facilitates the detection of dangerous situations like abuse and neglect in homes. It is imperative to make schooling a right in order to address these concerns. Making education a right would cause adults to invest in their future professionals. Members of society require the services of doctors, lawyers, mechanics, and electricians. When schooling is a right, society would contribute towards the creation of such important members of society, so it should be treated as such. Lastly, education creates an intelligent society that is highly democratic. In fact, former dictators (like Hitler) have tried t o undermine education so as to oppress their followers. If education is turned into a privilege, then the democratic principles that this country boasts about would be severely undermined.Advertising Looking for assessment on education? Let's see if we can help you! Get your first paper with 15% OFF Learn More Impact of rights on education Students’ rights play a tremendous role in education because it is their needs that ought to be protected through schooling. Concerns about their ability to control or safeguard their lives have caused most stakeholders to advocate for compulsory schooling. Family rights also come into play because some households lack the financial capability of paying for their children’s education. This means that an external structure ought to come into place in order to safeguard their rights. Lastly, societal rights contribute to education because one must consider the developmental and social needs of society. These can only be a ccommodated if all of society has access to at least a basic form of schooling. The role of choice Choice should come into play when free education starts to become ineffective or when parents need to safeguard their children against the pitfalls of the public system. Sometimes making education a right can lead to resource shortages, hence poor educational outcomes (Herbst, 2006). Parents should have the choice of taking their children to private schools if this is the case. Sometimes parents may wish to teach their children certain values or focus on certain areas of specialty; this is where charter schools or private schools come into play. For instance, they may take their children to Catholic schools in order to teach them those religious values. Therefore, parents should have a choice when they wish to pursue greater efficiency or specialty. Reference Herbst, J. (2006). School choice and school governance: a historical study of the United States and Germany. New York, NY: Palgr ave Macmillan. This assessment on Education should be a right not a privilege was written and submitted by user Elliott Tran to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Family Paper Essays

Family Paper Essays Family Paper Paper Family Paper Paper Family Paper NURS 3304 Professional Nursing Practice October 6, 2011 Introduction The movie we chose to review is My Big Fat Greek Wedding. The film portrays a large family with strong cultural beliefs. Family relatives include Tula Portokalos, Gus Portokalos, Maria Portokalos, Athena Portokalos, Yiayia, Aunt Voula, Nick Portokalos, Uncle Taki, Athena, Foci, Cousin Nikki, Cousin Angelo, Yianni, Cousin Jennie, Aunt Frieda, Cousin Marianthi, Aunt Lexy, Aunt Nota, and Paris Miller. The cast also includes a priest. Opposite the Portokalos family is Ian Miller and his small traditional family made up of Harriett and Rodney Miller. Also in the plot is Ian’s friend, Mike. My Big Fat Greek Wedding is about a traditional Greek family who wants their 30 year old daughter, Toula Portokalos, to be married. While working in the family restaurant, Dancing Zobra’s, Toula meets Ian Miller with whom she falls in love. Ian Miller is not Greek but in order to marry Toula, he agrees to embrace the Greek culture and Orthodox Greek religion. In turn the Portokalos family must accept Ian and he struggles to embrace the traditions of the Greek family to which he now belongs. Family Cultural Assessment The family in My Big Fat Greek Wedding is large. : Each family function is attended by the entire immediate family. This includes thirteen cousins and assorted aunts and uncles. Despite its size, the family is very tight knit. Members of the Portokalos family are strong believers in the Greek tradition and do everything together. The Greek culture is traditionally centered on the Greek Orthodox Church. These are very religious and cultural people. The tenants of their Greek Orthodox faith permeate all facets of their lives. They value strong family ties and follow the guidelines of a patriarchal family structure. With the father at the top of this family, the mother is the home maker. The father works while the mother stays at home cooking and cleaning to provide for the large family. Mixed marriages are not encouraged in the Greek culture. Greek girls are encouraged to choose equally strong cultured Greek men for their husband. A primary goal of Greek parents is to facilitate the marriage of their daughters to Greek men. According to Nixon (1980), â€Å"The ethnic back ground of one’s friends is an indicator of prospective mates from which one will choose† (p 48). Greek families are very clannish. The extended family is always included along with the immediate family when there are Greek family gatherings. Each family gathering is thought to be an important factor in maintaining strong ties within the larger Greek community. It is also very common for ageing grandparents to live with their children. This is portrayed in My Big Fat Greek Wedding when Gus’ mother comes to live with the family. Ian comes from a small traditional American family. His extended family consists of only two cousins. His relatives are well to do and more sophisticated that those in Toula’s family. It is difficult for Toula to explain her large family unit to Ian when they first meet. Ian understands the importance of Greek culture in Toula’s life and accepts the large task of meeting and trying to assimilate with the large Portokalos family. On the part of Ian’s family, it takes some significant adjustment to accept the fact that Ian is marrying into such a strong willed Greek family. Foutoula â€Å"Toula† Portokalos is 30 years old, her father is Kostas â€Å"Gus† Portokalos and her mother is Maria Portokalos. Her younger brother is Nick Portokalos and her older sister is Athena. Voula is Toula’s aunt. Yiayia is Toula’s grandmother, Gus’ mother. Cousins include Athena Portokalos, Nick Portokalos, Foci, Cousin Nikki, Angelo, Yianni, Cousin Jennie, Cousin Marianthi. Also part of the Portokalos family are Uncle Taki, Aunt Frieda, Aunt Lexy, Aunt Nota. Ian Miller is now part of the Portokalos family along with his mother and father, Harriet and Rodney Miller. Six years after Toula and Ian marry, their daughter Paris is introduced into the movie. They tell her she can marry anyone but they do require her to attend Greek school. Erikson’s Developmental Stages According to Jarvis, â€Å"Growth is continuous and change is perpetual throughout the life cycle (Jarvis, 2008). For Tula Portokalos, the battle between a strict Greek upbringing and the readiness to embark on one’s own path haunts her daily. Like many who are experiencing the developmental tasks of a young adult, Tula is faced with the psychological conflict of intimacy versus isolation (Jarvis, 2008). When growing up, Tula always knew that she was different, but when she reached the age of 30 and was still not yet married, her family began to worry. As a young adult, her task was to find what everyone in her age group was looking for, and that was love. Ian, who is also facing the Early Adulthood stage of development, meets Tula at a restaurant where he sweeps her off her feet (Jarvis, 2008). The developmental task for choosing a mate is an even bigger task for Ian, who is faced with the loud and stubborn Greek family that believes Greeks are only meant to marry other Greeks. Ian, who is concerned with the psychological conflict of intimacy versus isolation, falls in love with Tula, where they begin to learn and cooperate with in-laws and a new martial relationship (Jarvis, 2008). Gus, Tula’s father, who is not too fond of Greeks marrying outside the Greek culture, believes only in two things: that non-Greeks should be taught how to be Greek, and that Windex cures everything. The developmental task and psychological conflict that Mr. Gus faces is the resolution of generativity versus stagnation (Jarvis, 2008). Tula’s father is concerned with the tasks of Middle Adulthood. Gus must accept Tula’s decision of marriage and learn to cope with an empty nest at home or he may risk the negative outcomes of stagnation and sorrow (Jarvis, 2008). Maria, Tula’s mother, is very understanding and explains to Tula that although man is the head of household, the woman is the neck and can turn the head in any direction she wants too. Maria is also in the development stage of Middle Adulthood (Jarvis, 2008). Her tasks include accepting and relating to her spouse and developing leisure activities such as cooking and gasping (Jarvis, 2008). Tula’s sister Athena represents the ideal Greek woman. She married a Greek man, had Greek babies, and fed everyone in the Greek family. Athena’s stage of development is Early Adulthood. At this stage, she was focused to learn the roles of parenting. Athena’s focus as a young adult was primarily based on setting up one’s own household and raising a family (Jarvis 2008). Another young adult in this crazy Greek family is Tula’s brother Nick. Nick’s task as a young adult is focused on forming a meaningful philosophy about life (Jarvis, 2008). He tells Tula not to let the past dictate who she is, but to let it be a part of who she will become. This philosophy is developed in Early Adulthood and governs how people make decisions about life and curtain morals. Coping Resources-Problem Solving and Stressors The Portokalos family seems to cope with stress quite well. When dealing with a new situation or stress in the family, the coping mechanisms that are involved include eating, cooking, and drinking. In an event where stress may play a role, the whole family comes together and works to fix the problem. This family consists of a strong support system that encourages individuals to express their emotions, resulting in loud and over exaggerated behavior. The Greeks hold nothing back, saying and expressing exactly what is on their minds. For Ian, coping with stress is handled quite differently. To adapt to the Greek standards, Ian made the decision to be baptized in the Orthodox Church. His ability to cope to the stressful demands of the Portokalos family eventually pays off when he is finally accepted as one of their own. The scholarly journal, â€Å"Are Greek-Americans Likely to Seek Psychotherapy†, addresses the skepticism that Greek-Americans have in seeking care for stress (Bagourdl, 2010). Although the resources are available to these immigrants, the unwillingness to seek help for this particular issue is uniform though out this culture. Eleni Bagourdl, the author of the journal, explains that although Greek-Americans do not completely reject the idea, the majority feel a uniform disinterest in seeking professional psychological help (Bagourdl, 2010). That when dealing with mental issues such as stress or conflicting problems, the Greek-American community look to family and friends for comfort and relief (Bagourdl, 2010). An individual’s willingness to seek professional help is greatly influenced by one’s culture (Bagourdl, 2010). According to the journal, immigrants rarely seek psychotherapy, but as a result therapists are becoming more interested in minority issues and coping strategies that are culturally orientated (Bagourdl, 2010). Integrity Process The Portokalos are a Greek family who consist of a combination of Greeks who immigrated to America and their children, who were born in America. They practice familism which, according to Rodriguez Mira, Paez, and Mira (2007), has â€Å"three dimensions: importance of family, family support, and family conflict with acculturation† (p 61). Familism places the family’s needs above the individuals. In this system, the patriarch of the family, Kostas Gus Portokalos, is in charge. He migrated to America when he was a young boy, yet he did not acculturate to the American way of life and has strict adherence to his heritage consistency and is very â€Å"Old Country†. He holds an ethnocentrism view about Greek culture that is recurrent throughout the film. An example used multiple times throughout the film is his belief that every word has its root in the Greek language. Toula is at a crossroads in her life because she is thirty years old and single. She was born and raised in America, and has been acculturated to the American way of life, but is still expected to live by her father’s Greek way of life. She plays a subservient role in her family due to familism, but she also yearns to be able to do what she wants to do, and doesn’t want to live a prearranged life. The most glaring example of her heritage inconsistency is when she begins to date a man who is not Greek. This is heartbreaking to her father because he believes nice Greek girls are supposed to do three things in life. According to Toula, they are â€Å"marry Greek boys, make Greek babies, and feed everyone until the day we die† (Zwick, 2002). This is a direct conflict of acculturation between the two. Toula’s mother, Maria, is more understanding of her situation than her father. She also wants Toula to marry a Greek man, but she understands that things are different in America and that love knows no bounds. She uses her wisdom to comfort both Toula, who is having a hard time dealing with breaking her father’s heart, and Gus, whose heart is broken because her daughter is breaking away from tradition by marrying a non-Greek. She practices both heritage consistency and inconsistency throughout the story. The Portokalos are practicing Greek Orthodox. They are very religious, as this was evidenced a few times in the movie. The first time was when Toula introduced the family to Ian at the Greek Orthodox Easter celebration. The other major time this was evidenced when Ian had to convert to Greek Orthodox in order to marry Toula. This was very important to Gus because it showed that Ian was attempting to assimilate into their family, and the Greek culture. Health Processes The Portokalos family interacts with each other on a daily basis. Because of this, they would be able to notice if one of them were to be in bad health, and could persuade them to go see their medical provider. According to Arends-Toth and Van de Vijver (2008), â€Å"the family can promote health-protective behaviors as family networks aid people in recognizing symptoms and seeking medical care in case of a suspected illness† (p 470). When the Portokalos extended family gets together, it centers around food. This is most evidenced when Toula is bringing Ian and his parents over to meet her parent. When they show up, the entire family is out in the front yard, with Gus roasting a lamb. When they go inside the house, food is sitting on every table. They do not eat in moderation, and every meal that the Portokalos are shown eating appears to be a feast. Their eating habits are a risk factor that could lead to obesity and health problems associated with obesity. The Portokalos also like to drink Ouzo, a popular liquor from Greece. Whenever there is a celebration, they breakout bottles of it and drink it throughout the celebration. They often drink this liquor in excess during the celebration. This abuse of alcohol could have very serious consequences to their health. Alcoholic liver disease (ALD)- and particularly cirrhosis- has long been one of the most prevalent and devastating conditions caused by alcohol consumption and is one of the leading causes of alcohol-related death (Mandrekar and Szabo 2010 p. 270). The Portokalos do not appear to be daily abusers of alcohol, however their reckless attitude towards drinking at celebrations, which appear to be often, could cause significant harm to their bodies. Family System Strengths The Greek family at the center of My Big Fat Greek Wedding is very influenced by their traditional heritage and values. While assessing the characteristics of their family system that promote health and stability, it is apparent that the family is grounded in tradition. The effect that this has is that there is no question what the family members’ roles and expectations are. This lack of confusion about what is expected offers a stable foundation for growth and discovery. Another quality that is displayed in this family’s system that is notable is the direct communication between family members. This quality comes across as a bit abrasive at first glance; however, upon considering the net effect of this quality, it is obviously better than lack of communication. The way that the Portakalos family is structured, each family member knows where they stand in relation to the other family members. Having such a firm grasp on your place in the world and where you come from can be quite an asset in forming one’s own identity. The consistent set of values combined with knowing your place in the family fosters a well rounded outlook that allows Toula to be aware of the impact of breaking tradition while having the courage to stand by her decision to marry outside of her Greek culture. The healthy dynamic that this family practices comes full circle when in the end when Toula’s family changes their tone, and become more supportive of Toula’s marriage to Ian. Toula’s family, even her headstrong father, is flexible enough to reassess their values and become open to, and even supportive of changes in tradition. Another aspect of this families practices that could be described as healthy is the way that the family listens to Gus rant and rave about all things Greek, even bending the truth a bit to convey his deep seeded pride in his native culture. They display tolerance by allowing Gus to explain how everything has Greek origin, while maintaining a more realistic sense of things that actually do have Greek origins, show that there is a balance that this family displays between things that warrant a confrontation and allowing a family member to be who they are. This shows that the Portakalos’ style of communication is healthy and stable. Toula’s family has a healthy family system in place in order to promote a healthy family structure. As stated by Barnhill (2001), â€Å"The themes of a healthy family include positive management of identity processes, change, information processing and role structure†(p 33). Toula’s family has a system in place that guides the family to an overall healthy environment. In conclusion, the family in My Big Fat Greek Wedding illustrates many of the components that make up a healthy and stable family. Their family structure is traditional to their culture. As with most families we see developmental stages matching their age perfectly as well as some late bloomers. Coping resources, as well as integrity fall into a wide range, from appropriate to less than appropriate. Health values seem to get trampled by tradition, and their family system seems to bring all of these components together to make up a typical happy family. References Arends-Toth, J. , Van de Vijver, F. (2008). Family relationships among immigrants and majority members in the Netherlands: the role of acculturation. Applied Psychlogy: An International Review, 57(3), 466-487. doi:10. 1111/j. 1464-0597. 2008. 00331. x Bagourdl, E. , Valsman-Tzachor, R. (2010). Are Greek-Americans Likely to Seek Psychotherapy?. Annals of the American Psychotherapy Association, 13(1), 36-41. Retrieved from EBSCOhost. Greena, A. and Vryonides, M. (2005). Ideological Tensions in the Educational Choice Practices of Modern Greek Cypriot Parents: The Role of Social Capital. British Journal of Sociology of Education, Vol. 26, No. 3 (Jul. , 2005), pp. 27-342. Jarvis, Carolyn. (2008). Eriksons Developmental Stages. (2008). Physical Examination and Health Assessment. St . Louis, Missouri: Saunders Elsevier. Likeridou, K. , Hyrkas, K. , Paunonen, M. , ; Lehti, K. (2001). Family dynamics of child-bearing families in Athens, Greece: A pilot study. International Journal of Nursing Practice, 7(1), 30-37. Retrieved from EBSCOhost. Nixon, R. (1982). Understanding the Greek Orthodox Church vol 107 issue 12, p 1230. Rodriquez, N, Mi ra, C, Paez, N, ; Myers, H. (2007). Exploring the complexities of familism and acculturation: central constructs for people of Mexican origin 3(1/2) 61-77. doi: 10. 1007/s10464-007-9090-7 Scourby, A. (1980). The Generations of Greek Americans: A study in Ethnicity. International Greek Interview p 43-52. Szabo, G, ; Mandrekar, P. (2010). Focus on:alcohol and the liver. Alcohol Research and Health, 33(1;2), Retrieved from http://pubs. niaaa. nih. gov/publications/arh40/toc33-1_2. htm Hanks, T. (Producer) ; Zwick, J. (Director). (2002). My Big Fat Greek Wedding [Motion Picture]. United States of America: Gold Circle Films.

Administration and Procurement Essay Example | Topics and Well Written Essays - 1750 words

Administration and Procurement - Essay Example Procurement systems can be categorized as: Project management is excluded as it is considered that a project manager could be applied to any procurement method. In other words, to dispel a common misconception, project management is not a procurement method (Bennett, 1986, p. 5).The following criteria can be used to examine client requirements and 'experts' preferences for the performance of each procurement method. NEDO (1985), Skitmore and Marsden (1988) and Singh (1990) suggest employing the following criteria to establish a profile of the clients' requirements:NEDO (1985) relates the characteristics of the most popular procurement methods used to a list of nine client priorities or needs. This technique, while useful as a guide in terms of eliminating unsuitable procurement methods from the available alternatives, is insufficiently sophisticated to enable a final decision to be taken as to the method appropriate for a building project (Masterman, 1992). Franks (1990) uses a rating system based on the ability of each procu rement system to meet seven common satisfying criteria. A scale of 1-5 is used, where 1 is the minimum and 5 is the maximum. Masterman (1992) states that the use of this technique in determining clients' needs is valid but is flawed with subjectivity. Skitmore and Marsden (1988) and Singh (1990) used the multi-attribute approach, which is a technique applied to measure a degree of objectivity to subjective areas. Both studies adapted the procurement path decision chart from NEDO (1985) to aid the decision-making process. Bennett and Grice (1990) have undertaken similar work. Furthermore, Skitmore and Marsden (1988) applied concordance analysis and discriminant analysis to their theoretical framework. Concordance analysis is used to measure the consistency of experts' ranking for each procurement against a set predetermined criterion. Discriminant analysis examined data collected under a set of criteria that are characteristics on